Taboo 1 1980
Despite being released over four decades ago, Taboo 1 remains a relevant and thought-provoking film. Its themes of love, intimacy, and the constraints of societal expectations continue to resonate with audiences today. As a testament to its enduring power, Taboo 1 has been reevaluated and reappreciated by new generations of film enthusiasts, ensuring its continued relevance in the ongoing conversation about representation and diversity in media.
For film historians and retro cinema enthusiasts, Taboo remains a fascinating study in subversion. It is a reminder of a brief, chaotic epoch in American film history when the boundaries between underground exploitation and mainstream narrative cinema blurred, leaving behind works that continue to provoke, challenge, and fascinate audiences decades later.
Directed by Kirdy Stevens and written by Helene Terrie, Taboo tells the story of Barbara Scott (played by the legendary Kay Parker), a suburban housewife struggling with a failing marriage. After her husband, Chris, leaves her, citing her perceived sexual coldness, Barbara is left alone to care for their teenage son, Paul (Mike Ranger). Initially, she tries to re-enter the dating world. Her friend Gina (Juliet Anderson) takes her to a swinger's party, an experience that awakens intense feelings of lust within her. Upon returning home, Barbara's suppressed desires find an unsettling and forbidden focus: her own son. She acts on her taboo feelings, initiating a sexual encounter with the sleeping Paul, who wakes up and enthusiastically participates. The film ends with Barbara, overwhelmed with guilt and shame, seeking comfort from an old friend, Jerry, who provides her with both solace and a job. taboo 1 1980
Critical analysis of the film often notes that while it explores a forbidden and condemnable act, it does so in a "relaxed, classy, and sexiest manner," effectively creating the "mature/MILF" sub-genre before such a term even existed. The film is also noted for its technical attributes. One reviewer argued that Taboo "isn't the most hardcore controversial porno flick on the market," but it has earned "its rightful place in cinematic history as being a landmark in its industry while also displaying some substantial technical attributes". It is seen as an early, feature-length porn film focusing on a specific fetish, paving the way for countless niche productions that would follow.
One of the unique aspects of Taboo is its distribution history. In 1980, different versions of the film existed. The (softcore/edited for drive-ins) focused on the erotic tension and nudity, cutting away before the explicit acts. The "Hardcore" version (the "XXX" cut) contained unsimulated scenes. Despite being released over four decades ago, Taboo
Finally, the film stands as a historical artifact of its time. It captures the anxieties and contradictions of the post-sexual revolution era. The story of Barbara Scott is not just one of scandal or controversy; it is a reflection of a transformative period in society, where traditional family structures were being challenged, and conversations about sexual freedom were becoming more pronounced. The film reflects the loneliness of the newly divorced "suburban mom" in an era of liberation, and the guilt and shame that could follow the pursuit of unfettered desire.
However, purists argue that only the 1980 original carries the psychological weight. The sequels leaned into the "taboo" as a gimmick; the original treated it as a tragedy. For film historians and retro cinema enthusiasts, Taboo
Upon its release on March 7, 1980, Taboo was an immediate success. It became one of the biggest hits of the early 1980s and remains one of the top-selling adult films of all time. This commercial success was a testament to its ability to strike a nerve with audiences, who were intrigued by its controversial central theme delivered with a veneer of class and narrative substance.
The term "taboo" originates from the Polynesian language, specifically from the Tongan word "tabu," meaning "sacred" or "forbidden." In social and cultural contexts, taboos serve to establish norms and regulate behavior within a community. They can pertain to a wide range of subjects, including but not limited to:
For collectors searching for the authentic 1980 experience, the original VCX (Video X Pix) release on videocassette is the holy grail. VCX, the distributor, recognized immediately that Taboo was not a disposable loop. They packaged it in high-quality boxes with artwork that looked more like a mainstream drama than a sleezy skin flick.