The film was released on DVD and Digital HD in select markets, but its presence on mainstream streaming platforms (Netflix, Amazon Prime, Hulu) is currently inconsistent. It is best found via specialized Jewish or Israeli film sites or through library catalogs that carry arthouse imports.
: Eran Kolirin Kolirin is best known for his critically acclaimed debut feature, The Band's Visit (2007), and is considered a leading young director in Israeli cinema. His style is characterized by a quasi-deadpan manner that explores themes of distance, identity, and the Israeli condition. Beyond the Mountains and Hills is his third feature film.
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Beyond The Mountains and Hills (2016) is a film that follows [concise plot placeholder — assume a character-driven drama set against rural/remote landscapes]. The story centers on personal conflict, family dynamics, and the emotional impact of isolation and change. Visual storytelling emphasizes natural scenery and subdued performances to convey internal struggles.
The film deliberately employs a cold, stilted narrative style. This choice highlights the awkward friction of David trying to navigate normal civic spaces like supermarkets, local schools, and corporate boardrooms. 📈 Festival Reception and Critical Impact The film was released on DVD and Digital
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[ The Greenbaum Family ] (A Metaphor for Modern Israeli Society) │ ┌──────────────────┼──────────────────┐ ▼ ▼ ▼ [ David ] [ Rina ] [ Yifat ] Retired Soldier Literature Teacher Left-Wing Activist Struggles with Engages in an Dates a young Civilian Life Illicit Affair Palestinian Man The Inciting Incident and Societal Guilt His style is characterized by a quasi-deadpan manner
Whether you are studying the evolution of modern Israeli cinema or searching for hidden arthouse gems across international streaming servers, Beyond the Mountains and Hills remains a vital, piercing look at modern society that continues to provoke discussion long after its 2016 debut.
The family's internal crises collide with geopolitical reality during a moment of sudden frustration. David unloads his firearm into the dark night across the rocky hills bordering his home. The next day, he discovers that an innocent young Palestinian man was killed on that very hillside.
Unlike the hopeful symbolism of his early work, Kolirin aims here to provoke discomfort. "The tone of Beyond the Mountains and Hills is more serious," he explained. "This film is about living in the shadow of guilt". He strips away the cinematic fourth wall, forcing the audience to look at the settlers on the hill not as monsters, but as confused, often well-meaning people who commit terrible acts. His quasi-deadpan style—featuring long, awkward pauses and jarring cuts that omit expected emotional beats—is designed to challenge the viewer's neutrality, which he sees as a "dangerous evasion".